D Publishing by Dymocks Books – AUTHORS BEWARE

UPDATE: Dec 12
I had a positive phone conversation with senior management at D Publishing about redrafting their publishing agreement to better express their intentions and address authors’ concerns. Major concerns should be addressed this week and could result in a good offering for authors. :)
UPDATE: Dec 16
I spoke with Michael Allara, Dymocks General Manager of eCommerce, at Dymocks Head Office on Wednesday and apparently a new Publishing Agreement will be released soon. Let’s hope they get it right. [A follow-up article to that new agreement is now online at Dymocks D Publishing - An Opportunity Being Wasted.]

The launch of Dymocks’ D Publishing yesterday was anticipated by many aspiring authors as a potential avenue for them to have their work published and distributed, and for them to pursue an ‘author-driven’ strategy for their writing career.

However, after reading the Publishing Agreement made available at www.dpublishing.com it is evident that serious issues could arise for authors signing (or clicking acceptance of) that agreement. (There was a page that could be linked to directly yesterday but this has since been replaced by a PDF download initiated by scrolling down and clicking on Publishing Agreement in the menu at the bottom.) [UPDATE Dec 10: The original Publishing Agreement has been removed from the D Publishing website and a second version has replaced it. The substantive change to the agreement is negligible. The major change has been to bury key details in less direct language and disperse that key information piecemeal across more clauses. This may make key details less obvious to inexperienced authors until they have accepted the agreement but doesn't address the problems. Plus once an author has clicked their acceptance of the agreement there is a confidentiality clause which prohibits the author from discussing the agreement. The second/latest version of the agreement can be downloaded as a PDF by clicking on http://www.dpublishing.com/UserControls/download.ashx?format=PubAgreeDymocksWeb - for now at least.] The agreement has been taken down, so here is a PDF of the D Publishing agreement that was available before it was taken down.

If you think anything here is an issue, I recommend you get hold of [the latest version of] the Publishing Agreement yourself and make up your own mind.

Authors grant an exclusive license to Dymocks for commercial rights worldwide for the duration of the copyright, including all subsidiary rights to the work

While an author would have the right for their name to be attached to the work, they are essentially HANDING OVER CONTROL OF THE COMMERCIAL ASPECTS OF COPYRIGHT WORLDWIDE, INCLUDING ALL SUBSIDIARY RIGHTS, FOR THE DURATION OF THE COPYRIGHT.

Authors inexperienced in the business of publishing and in dealing with publishing contracts may not realise the implications of what they  are agreeing to.

This is far from ‘author-driven’ for an author to make Dymocks the exclusive publisher, distributor, agent for that work and for all derivative works such as sequels and spin-offs, film and TV adaptations, audiobook adaptations, foreign language adaptations, etc.

Authors basically cannot terminate the license unless Dymocks is proven to be in breach of the agreement, which would be difficult for an author to prove, as the agreement does not put much obligation on Dymocks to do specific things. There is a clause allowing Dymocks to change the terms of the agreement at their discretion by amending the agreement on their website.

Ill-defined royalties for subsidiary rights

Author compensation for subsidiary rights is essentially that Dymocks gets NO LESS than 20% of what they call the Cost Price (which, for books, is basically defined as 50% of the retail price, so an author gets NO MORE than 40%).
An author could, however, get much less. Whether an author gets 0%, 40% or whatever else Dymocks decide is up to Dymocks.

Dymocks manage distribution and the author is liable for returned books

Dymocks can distribute an author’s work to the Dymocks book store chain and to other retailers worldwide in a manner they deem appropriate but the author is liable for any books returned.
For anyone not familiar with the process, many publishers will provide books to retailers on a sale-or-return basis – so they either sell the book or they can return it. This allows retailers to stock books while putting a lot of the financial risk back on the publisher.

Dymocks keeps 20% of an authors royalties to cover initial returns and the author is financially liable for any returned books, whatever those costs amount to.

It seems if Dymocks distribute to a large retail chain which goes bust and the retailer returns huge amounts of stock, there is the potential for authors to be bankrupt by their liability for returns.

Authors cannot hold an ABN (Australian Business Number)

Authors must declare that the exclusive worldwide license they grant to Dymocks is not subject to GST
 as the author is ineligible for an ABN because they are not conducting an enterprise in Australia.

Having an ABN prohibits you from granting Dymocks the license to your work, according to the Publishing Agreement.

Rights are granted exclusively and may or may not be used to any great extent

Rights are granted from the moment an author submits the Publishing Agreement but Dymocks can keep exclusive worldwide rights if they do as little as make an ebook available in any language in one ebook store anywhere in the world. Rights do not revert to the author if that’s all Dymocks ever want to do with the rights.

If Dymocks decide your novel does not have movie potential, then no movie. If Dymocks decide there should be no sequel, then no sequel.

An author’s future earnings potential, which could be based on years of time and effort, are put in Dymock’s hands and can be taken away

As the holder of exclusive rights, Dymocks could take punitive measures against authors they have a disagreement with by decreasing distribution or stopping it entirely for the author’s book(s) and not allowing the author have that work published elsewhere.

Dymocks are given editorial control

The relevant clause here is under the heading of Legally Objectionable Material but don’t let that fool you, because another clause states that:

“headings are [for] the ease of reference only and do not affect interpretation.”

Therefore the clause below applies, whether related to legally objectionable material or not:

“If the Author refuses to amend or delete passages in the Work to Dymocks reasonable satisfaction then the Author must, at the request of Dymocks, repay all monies paid by Dymocks. On repayment of all monies this agreement terminates and the rights granted to Dymocks revert to the Author.”

***
In my opinion, the Publishing Agreement with Dymocks on the D Publishing website is very Dymocks-driven and not particularly author-driven, unnecessarily prohibitive for authors, and not internationally competitive with options like Amazon’s CreateSpace for print-on-demand books (with well-established non-exclusive global distribution and without expensive set-up costs) and a range of ebook options.

If any key people from D Publishing/Dymocks are reading this, I have nothing against Dymocks (or publishers or booksellers, big or small). This is in no way any sort of political issue for me, nor associated with any sort of author advocacy cause. I think this is a terrible contract for authors and it is the decent thing to do to warn people about what they may be considering getting into. I hope you take this opportunity to rewrite the Publishing Agreement and provide a more stable business proposition for authors.

Good luck to the Dymocks staff, franchisees and shareholders not involved in writing and approving the D Publishing agreement. If anyone wants questions answered or wants to make a comment to D Publishing/Dymocks regarding the issue, I suggest visiting their Facebook pages at D Publishing and Dymocks. The people working at your local Dymocks book store may have had no involvement and may also be unaware of what’s in the agreement. They also have an email address dpublishing@dymocks.com.au

– Steve Rossiter

***

The only substantive change to the original Publishing Agreement seems to be the limited ability for the author to self-distribute a book published by D Publishing through sales channels not of interest to Dymocks for any of their books, and must stop if Dymocks becomes interested in those sales channels for any of their books. The author is prohibited from working with a distributor to do this.

On their Facebook page, D Publishing cited the reason for the second agreement as to make things clearer following questions and comments received so far. The issues people are discussing are substantive issues of what is actually in the agreement; not a comprehension issue.

***
The Australian Literature Review
www.auslit.net

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Nov 2011 Short Story Comp Winner

Congratulations to everyone who had their story shortlisted for the AusLit November 2011 Short Story Comp (Murder).

I hope you all had fun and that the shortlisted writers find lots of new readers and maybe some new friends through participating in the comp.

The winner of the book pack (pictured below) courtesy of Simon & Schuster Australia is Geoff Lambert for his story God Was Wrong.

Agent 6TabooThe SurvivorThe Terror of LivingThe Night StalkerCovenantBloodlineLUTHER: The Calling

The Australian Literature Review
www.auslit.net

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November Short Story Comp (Murder) Shortlist

The shortlist for the November short story comp is as follows:

The Long View, by Michael Grey

Truth Is, by Ross Watkins

God Was Wrong, by Geoff Lambert

Ice Cream, by Yin

Mice of the State, by Talia Walker

The October short story comp is part of a round of monthly short story comps running in September, October and November.

The winner, announced November 30th, will receive a book pack (pictured below) courtesy of Simon & Schuster Australia.

Agent 6TabooThe SurvivorThe Terror of LivingThe Night StalkerCovenantBloodlineLUTHER: The Calling

The Australian Literature Review
www.auslit.net

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Mice of the State, by Talia Walker

I glance into his eyes and I see nothing, which scares me.  All of a sudden, I feel ill.  My fate is in the hands of a young Officer, just struggling out of his teenage years, who has messy writing and wiry hair.  In my peripheral vision, I see his eyes continually dart from my passport photo to my face.  I think they are dark, but I can’t tell because we aren’t allowed to meet the Officer’s eyes.  That would be a sign of equality, and we are far from equal.

Ahead of me, on the other side of the barrier, I can feel my mother’s unease, but I force my own face to stay blank.  Just one wrong expression, even the hint of a reassuring smile, could result in the two of us being thrown into the nearest detention centre.  It wouldn’t take long to reach one.  They’re all over the place.   Thousands have been built in the forty-eight years since the Population Boom was declared an international crisis.

Since I can’t look the Officer in the face, I concentrate on his attire.  He’s dressed in the usual pressed uniform – light blue shirt, black trousers, polished leather shoes, navy blue jacket.  There are badges on his lapel.  I count them all.  The usual badge of an Officer of the State; four Belts, one for each year of service; the Golden Heart, for an act of great compassion …  There are fifteen in total, shining like the merit stickers that Educators once awarded to ‘good’ students.  Among them is the Star of the State.  I wonder what this young Officer could have done to attain such an honour.

He looks at my photo once more and I feel his eyes run over my face, scrutinising me.  I realise that he’s waiting for me to buckle, to let slip some miniscule act that could be passed as defiance.  He needn’t bother.  My mother has taught me well, and I’ve always been a model student.

He sighs, hands me my passport and motions for the two Guards to allow me to pass.  They push the Gate open just enough for me to slip through.  With a thick stream of people behind me, they can’t risk opening Gates any more than that.  For most people, they needn’t worry.  But there are still those who try to push through, to run for it.  Not that there is anywhere to run.  On the other side of the Checkpoint is the Customs Terminal, as well as seven Guards with snipers, ready to shoot you down.

As I pass through the Gate, I hazard a glance at it.  They shouldn’t call them Gates, these access points between states. “Gate” connotes “harmless”, a small and easy-to-conquer obstacle.  In reality, the Gates are barriers of mesh and intertwined razor wire that appear every so often in the massive, thickset, reinforced steel Wall.  Guards patrol the Wall, standing only several metres from one another, their heavy machine guns strapped across their hearts.  The major cities are built around the Gates.  Or is it that the Gates were built as transects to the major cities?  Either way, the fact remains that the Gates were erected by the State at the beginning of the Boom, at the same time that the Walls were.  They’re meant to dissuade us from moving, to keep us in the one spot so that they can control the amount of people in each city.  When I was seven, I asked my mother about the Gates and Walls.

“They’re to protect us,” she had said, giving me that gentle smile that never touched her eyes.  “The Head ordered for them to be built at the beginning of the Boom.  There are too many people in the world right now, and there isn’t enough food or water or space for them all.  The Walls keep us from going to other places and using all of their resources, and they stop people from coming in and using ours.”

Even at that young age, I knew that she was only regurgitating the words, that she was telling me what I was supposed to be told.  I could tell by her eyes.  They glow bright when she’s passionate, the flecks of amber coming alight like a dozen candles in a dim room.  But when she’s resigned herself to something, her eyes are dull, as though all the light has been drained from her soul.

My mother and I move away, heads bowed and struggling to walk slowly in an attempt to appear unsuspicious.  No one has ever been able to explain to me exactly what ‘unsuspicious’ means.  It is like a new disease, something that people can easily recognise as being inconsistent with the norm, without knowing how it came to be different in the first place.  They know it when they see it, but they can’t describe what it is exactly.  Somehow anything and everything has become ‘suspicious behaviour’, unless authorised by the State.  I wonder what their guidelines are, or if there are guidelines at all.

We’re about twenty metres away from the Gate, at the end of the nearest Customs Terminal, when the shouting reaches us.  Everyone around us turns, and I turn with them.  My mother nudges me, but I ignore her.

On top of the Wall, I can see a lean man, his scraggly brown hair brushing against his shoulders.  He is dressed in khaki trousers and an orange tunic, with a thin vest over the top.  I can’t tell what colour it is, because the the sun is behind him, but it looks dark.  The man is definitely what the State would deem ‘suspicious’, I think.  No one dresses in clothes like his anymore.  They are clothes from before the Boom, when there were such things as ‘hippies’.  I know all about ‘hippies’, because we learnt about them at school, before the earthquake destroyed the buildings and we had nowhere else to learn.

“They were poisoners of innocent minds!” the Educator had said, striding around the room as she always did when seized by a fit of passion.  Her long-nailed hands balled into fists of fury and she came to a halt in front of the class, surveying them with the eyes of a hawk.  “They encouraged other people – good, law-abiding people – to challenge their government!  The hippies were a dangerous race, and we should all thank the State that they were exterminated in the Reformation after the Boom.”

A boy at the back of the class had said loudly, “That’s not what my father said.”

All eyes had cut across the room to stare at him, that overweight boy with the mousy brown hair and squashed nose.  Curtis, his name was.  Curtis Long.

“My father said that hippies believed in everyone being equal and that they wanted world peace,” he said haltingly, his confidence evaporating under the blazing eyes of the Educator.

The Educator glared at him, her nostrils flaring like a horse.  Her face was red, bright red, and her knuckles were white from clenching her fists so hard.  When she spoke, her voice shook like thunder, and the floor beneath our feet rumbled with the strength of it.  “Your father is a liar!” she screamed.  “A liar!  Who does he think he is, to contradict an Educator?  It is people like your father that are a danger to the State!”

Curtis Long had been in the school house after school hours, when the earthquake hit.  No one knew why.  His father had disappeared a week later.

The man on the Wall is bellowing furiously now, shaking his fists in the air.  Obscenities spew from his mouth and even at a distance, I can see his eyes flashing with pent-up rage.  I wonder at the fact that he managed to reach the top of the Wall without being intercepted by the dozens of Guards that patrol it.

“Look at you!  Look at you all!” he yells at the Officers and Guards below him.  “You’re disgusting!  Oppress enough people and you’ll be safe from the State, is that it?”

Several Guards patrolling the Wall approach him, swinging their machine guns into a more comfortable position.  One of the Guards speaks sharply to the man.

“We live in fear and oppression!  Our free will is gone!  We have no choices, because you refuse to give us even one!” the protestor roars, ignoring the Guard completely and waving both fists above his head.  His eyes flash again with anger, and hatred and courage.

My mother pulls me close to her as the round of gunshots sounds, tearing gaping holes in the atmosphere.  I shrink backwards, and she wraps her arms around me, burying my face in her jacket.

But not before I see the flash of bullets in the sun, from left, from right, from below.  Not before I see the protesting man stagger backward, blood surging from the dozen holes in his chest.

I peek from under my mother’s arm as he loses balance and slips on his own blood, his body somersaulting over the edge of the Wall.  It seems that the entire queue of people at the Gate, as well as those of us at the Customs Terminal, pause to watch in silent horror as he screams, falling faster and faster until he crashes to the ground with the sickening sound of cracked bones and the slap of soft flesh on an unforgiving surface.

All hell breaks loose.  On our side of the Wall, the six organised queues, one at each of the Customs Terminals, suddenly converge in a heat of panic.  On the other side, people surge forward towards the Gate, screaming and yelling as the Guards struggle to keep people back.  Gunshots ring out once more, but it only adds to the confusion and fear.

However, in this moment, nothing is substantial to me.  Not my mother’s hands tight on my back.  Not the jostling of people surging past.  Not the terrified screams that will later haunt me in my sleeping hours.  Nothing matters to me except the crumpled body, and I find myself on my hands and knees, my stomach heaving constantly until I’ve thrown up so many times that there’s nothing left and all I can do is splutter and cough on the ground.

Later that night, I sit in the packed waiting room of the Customs Terminal, my head on my mother’s shoulder.  I think about the Gates, how odd it is that they’re made of wire, while the Wall is thick steel.  I think it’s to tempt us.  Perhaps the State thinks that if we can see the other side, we might try to escape.  We’re the mice in the maze and they’re the scientists who have hidden the cheese somewhere we can’t reach, tempting and punishing us.

I can’t help but wonder about the protestor, despite having spent the rest of the day shoving the image of his broken body into the deepest recesses of my memory.  What if he managed to get up on the Wall because the Guards let him?  What if they wanted him to speak out, so that they could use him as a demonstration, to show everybody else what happens to those who question the authority and integrity of the State?

As I have that last thought, I realise that I’m considering ideas that are exactly what the State most desires to eliminate.  My skin tingles all over and I suddenly feel exposed, as though the walls have eyes and every other person in this cramped room has been placed there just in case I say something that I shouldn’t.

I want to look up at my mother’s face to find reassurance there, but I know that I won’t and that the fear I’ll see instead will frighten me too.  So I curl up tighter and bury my face in her shoulder.  She stirs and pats the top of my head absentmindedly.

That night I dream of rows of shining badges and never-ending lengths of razor wire and bleeding men falling from the sky.

***
The Australian Literature Review
www.auslit.net

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Ice Cream, by Yin

He’d been watching them for a while now. Two girls, walking side by side. He liked them, liked seeing their pear-shaped bodies swaying in union. One was taller than the other. The first one, she’d let her hair down, and the shorter had hers up in a bun.

The night liberated him. And sweat he was used to. At work, he was constantly slicked in it. But this… this strain, this stealth. It was all too familiar: the first try at his job years ago. Now the same symptoms clutched at him, his limbs trembling, him torn between fleeing and securing his goods.

They strode under the lights of lamp posts while he stuck to the shadows.

Which one?

He wrangled around, tossing ideas together as shops blurred by. They were already onto the next street but now, for him, the pedestrian light gleamed red. A small group of people began to accumulate at the crossing but his concentration locked on the two girls safely on the other side.

Who do I want most?

The light turned green again and he snuck forwards, ignoring side glances from boys who’d slicked their hair with gel. School kids, he scoffed. Who needs school? It doesn’t teach you how to reel in chicks!

Parked cars filed against the curb in the next street, and the two girls loitered on in a straight line. Thankfully, they seemed oblivious of him. His fingers slid across the cars’ shiny covers as he weaved between the stationary vehicles. He forgot that, just yesterday, he’d been here. Today, the hubcaps, the tires, the badges, the sparkplugs and the aerials of the cars shouted of money to him.

Not right now though – now he was upgrading his skill. You have to think of the future, Ma had said, before dumping him with Grandfather; life consists of more than money.

Lovely black hair. He imagined running his fingers through the girls’ locks, caressing something soft and alive for a change. His own hand came up and passed over his scalp. It came away greasy with sweat, grime and dust from the day before yesterday. It repulsed him, chilling him in more sweat, and he shook himself. What was he thinking about?

Nice hips. His eyes strayed down to where denim shorts showed off most of their thighs so that he didn’t notice the dairy on the corner until they’d entered it. He stilled a few feet before the entrance. The automatic doors slid open and air conditioning blasted out. He welcomed the few seconds’ relief from the humidity of the night though once the doors closed again, the heat swamped him. He squeezed between two parked cars and watched the stagecraft inside the shop. It glowed of an artificial brightness that hurt his eyes and made his head ache. Such naivity! Cocooned in neon lights they were lulled in a false sense of security. Not like him.

He neared the window. He was not seen but all seeing. And he liked what he was seeing.

His mind spoke of many things. Of the novelty of warmth melting at his side. A softer thing; a thing warmer than metal. It spoke of dimmed lights and flickering flesh.

No! He shook himself and squeezed his eyes shut against these fantasies. But…

O-oh. His fingers twitched against the glass as he watched them lean over the counter, the hems of their shorts hitching higher and higher. Oh! He wanted to rub his fingers against that pearl-white skin.

Please, please, please turn around! What harm could it be? He’d just ask one of them out, and then the other, and then that would be that.

The glass felt hard and cool against his nose.

They turned around with one vanilla sundae between them.

You like sundaes? I’ll give you sundaes, one each! His right hand strayed to his back pocket where a slim wallet lived. A pitiful sum; he deserved more.

The taller one flashed a glance over her shoulder. He lurched back, bumping into the bonnet of a car. He scanned his surroundings, searching methodically for the suspicious head-turning of anyone who was spying and had the potential to tell on him: light from streetlamps reflected off passing traffic, puppeteering shadows across looming stores.

Good, no one’s about. It was good: he was clever with the knife, though he never liked to use it. He found it easy enough to make a clean kill, the swift sliding in between the ribs (you had to keep it at an angle so it pierced the heart) and the quick jerk out was fine. It was the sucking rattle of the dying breath of Grandfather that troubled him.

A wall of chilled air announced the girls’ sudden departure of the shop. He bowed his face towards the car, faked fiddling with car keys. Then, after a moment, their giggles seemed to come from a long way off.

His head snapped up. Shit! They were almost out of sight.

No! Panic kicked his guts. Sweat crusted his back. He hounded them like shadows. Tailgating, he called it.

Under the streetlights, he pretended not to notice their arms encircling the other’s waist. That, and their almost too often glances like they shared a secret.

Girls like to hold each others’ hands, don’t they? he reassured himself, trying to remember the sparse images of young women in his childhood.

They stopped.

Frick. He scuttled back into the safetly of darkness. He kept them in sight. The tall girl offered the ice cream to the other girl. She licked it and her eyes narrowed to slits. It was the same expression as a kitten he’d had before, whilst testing a saucer of cream. That seemed a long time ago, before Grandfather got sick.

“This is so good,” she said; his legs went oozy and his palm slapped against a car bonnet for support. It felt real, hard, and dead.

“I know.” There was a deep purr to the taller girl’s voice. The other nodded, cheeks flushing at the coldness of the ice.

Before understanding dawned on him, before his legs found strength, a breeze rose and strands of hair streamed from the taller one’s face. She said something he didn’t catch. He watched as the other tucked flying wisps gently behind the tall girl’s ear. In return, her lips formed a soft smile and she wiped ice cream from a corner off the small girl’s mouth.

His hunger for flesh dissipated. He backed away. I guess... Stuffing his fists deep into his pockets, he stole into the night.

~

They looked back. A shadow was all that was left of him.

“Do you reckon we should call the police? That strange dude was following us,” murmured the taller girl.

“Aw, we nailed him. We had fun!” The other grinned, her eyebrows leaping high. When no response was given, she squeezed the former’s hand impatiently and demanded, “C’mon, admit it sis, you did have fun.”

***
The Australian Literature Review
www.auslit.net

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God Was Wrong, by Geoff Lambert

“You’re not a fool, yet I take it you don’t think God was wrong?”

He adjusted the angle of the Beretta so the barrel pointed directly at the scientist’s chest. Before he took his hand away from the gun he looked at the other man’s face. Sure enough, the eyes were fixed on the desk, at precisely where the weapon lay. He’d noticed many times over the years the irresistible, almost magnetic, attraction a gun exerted for those not confronted by a weapon before. It also served as a test. If the scientist had kept his eyes on the man’s eyes the Beretta would not be laying casually on the wooden desk top. No, that would present quite a different scenario.

But he hadn’t.

“I don’t consider it a matter of right or wrong as I don’t believe in God.” The slide-in metal name stand on the desk said ‘Arnold Benoit – Chief Scientist’.

“I find that odd,” said the man. “But then you don’t know the context in which he was wrong, of course. So I can be magnanimous on that point. After all, with your Particle Collider, you are on the cusp of finding sub-atomic particles that have so far existed only in theory. This will be a commendable accomplishment. You,” he glanced at the name stand, “Arnold Benoit, control it, or more accurately, you are in charge of it. Whether you find the particle or not, significant portions of theoretical physics will need to be recast as a result of this work. Surely, this will be a seminal moment in your career. There is every chance the work will lead to a revision of general relativity theory which will point man in the direction of inter-stellar movement, and, to a better understanding of parallel realities.”

“You are a physicist aren’t you?” Benoit asked.

“Yes … from the university.”

“Then why come here with a gun? Why not as a fellow scientist?”

“It was the only way I could be certain of seeing you today. If I had telephoned to make an appointment, you wouldn’t have agreed, certainly not immediately, and not for today,” he said.

“When did you arrive at the Collider?”

“About an hour ago.”

“An hour!  How did you get in here so quickly?” asked Benoit, genuinely concerned and more than a little puzzled. Almost as an afterthought, he said, “Our security people should have stopped you.”

“They did. They told me to wait. I explained to them I had limited time and could not. I said ‘God was wrong, and it is important I tell your Chief Scientist,’” he said.

“And they let you in?” Benoit sounded incredulous. The man on the other side of his desk was obviously mentally unstable. That would have been obvious even to security. He stared at the gun.  Suddenly, he felt sick. He knew what the man was going to tell him, if he asked the question. He couldn’t bring himself to ask it. He simply looked at the man, at his face, and at the Beretta. The man remained silent, staring back at Benoit with cold, unblinking eyes. Benoit did not know what to do, or say. He had no hidden alarm button to press. So he waited.

“You see the short piece of thicker tubing at the end of the Beretta barrel,” Benoit nodded, not wanting to offend the man, “that is a suppressor, or silencer to most people.”

He no longer needed to ask the question.

When Benoit stayed silent, the man resumed talking.

“I assume that as a senior scientist, you agree the concept of God most commonly used, offers nothing more than a means to explain the unexplainable. For example, primitive tribesmen blame it on God when floods or pestilence come. Modern believers blame God when a son dies prematurely in an accident. Others ask God to exercise his will as he thinks fit in their daily life, such as the common exhortation, ‘as God pleases’. The same people then make pleas in order to pre-empt bad outcomes, or solicit good ones.

“Again, I assume you disagree with these concepts. In every instance a rational explanation can be found, even down to molecular levels, if necessary.”

Benoit nodded once more, before gathering sufficient courage to ask something he could not face not knowing. If he had been following the argument about God, his question did not show it.

“In one of the offices on your way here there is a young woman,” said Benoit, fearful to take the query any further.

“Yes, there was,” said the man. After a pause, during which Benoit’s palms began to sweat, the man went on, “I told her to go into a back room and strip naked, to throw her clothes out the door. She did. Before continuing on my way here, I went to the room to check on her. Very attractive. If I’d had more time … but I don’t. So, I took and hid her garments so she would remain in the room.”

“Why are you in such a hurry?” Benoit asked, relieved the girl was only embarrassed.

“I estimate I have less than twelve hours,” said the man, “before conditions deteriorate sufficiently to prevent my return.”

“What do you mean?” asked Benoit.

“There will be those among you who will understand in years to come. If the Collider experiments continue to be successful in future years, we expect new dimensions will be discovered. Dimensions that today are only theory. By then we will be ready for you.”

“What is your name? You’ve been in my office for half an hour and not introduced yourself. At the very least, that is discourteous,” said Benoit, trying to regain some measure of control in this absurd interview.

“You don’t know God’s name,” the man said, as if Benoit cared, “so mine is irrelevant. Even if I told you my name it would mean nothing. But, if it helps, call me Beretta.”

“Do I take it that you know God’s name?” Benoit said in a tone half amused, half incredulous, as if he had finally heard confirmation that this man, ‘Beretta’, was certifiable. All he had to do was to get word to the police and they’ll come and take him away. Of course the small matter of the actual Beretta, the barrel of which continued to point directly at his chest, complicated matters. Benoit had done a lot of pistol shooting and belonged to the local Gun Club. He was certain he could tell a real pistol from a replica. He glanced at it again. It was the real deal, and for the first time, he saw the safety had been switched off. As he lifted his gaze he again saw ‘Beretta’ staring at him.

“Whether I know God’s name, or not, has no bearing on our conversation,” Beretta said.

“Then perhaps you can tell me what this conversation is about.” Now that he knew he was dealing with a madman, Benoit felt confidence slowly returning.

“In the very near future your Collider will succeed in getting two sub-atomic particles to collide at the correct speed.”

“That is so, and once we have achieved that goal we will have replicated the conditions of the Big Bang, the moment of creation of the Universe,” said Benoit, more confident now he was speaking about his speciality.

“Is it true that you are the most knowledgeable scientist in this field?”

“No, there are several astro-physicists who have developed the theory …” the man cut him off.

“I will rephrase the question. You are the leader in the race to demonstrate the theory in practice.”

“Yes,” said Benoit.

“Thank you. Without you the Collider would have problems. Not insurmountable ones, but overcoming them would take time. In other words, it would be delayed.”

“Where are you from?” Benoit was unpleasantly unsure where the conversation seemed to be heading.

“A dimension beyond,” said the man. He made no further amplification, no embellishment, nothing, apart from maintaining his unblinking stare at Benoit.

“Before I leave I will tell you a little about God. His real name is much longer than three letters. It is a normal name, and irrelevant. In one guise or another he has been into this world on several occasions. Unfortunately, ego has often overcome reality and he couldn’t stay. That was not his only mistake. One could argue, however, as I have done in the past, that it was his biggest.”

Before the man named ‘Beretta’ could go on, Benoit stood up behind his desk. The program of the facility had been meticulously developed over months and he would not let a crank interfere with its execution.

“I have meetings to attend. If you wish, you can stay here until I return, or you can leave now,” Benoit said, intending to call the police as soon as he was near an outside phone.

As he began his first step from behind the desk the Beretta jumped off the desktop in a fluid blur. He heard a faint ‘whump’ from the suppressor a micro-second before blackness and silence enveloped him.

The man watched as Benoit folded like a sack, his eyes blank. He stuck the gun in an underarm holster and walked around the desk. As he expected, no pool of blood had formed around Benoit’s head. It would not. The bullet, along with the man, came from a different place. The carpet would remain unmarked and no bullet would be recoverable.

He closed the office door as he left, walking back the way he had entered. He passed one of the security offices, checking that the security guard still lay on the floor behind the desk. Like Benoit, he had a neat hole in the centre of his forehead. The legs could not be seen unless one went in and looked. It simply appeared that the station was unattended. He walked on. The next security station was the same. He went past the desk to the back room. The girl still stood in the room, naked. He looked in, drew the Beretta and told her to stand with her hands on her head. After several minutes observation he tapped his watch, pointed the gun meaningfully, and exited.

Outside the entrance to the Collider he stopped and turned to face it. He did not have far to walk for the return, and more than enough time. When they found the bodies consternation, confusion and fear would take control. Work at the Collider would be suspended long enough. The moment of convergence would pass, harmlessly.

“God was wrong, on more than one instance. In particular, he forgot precisely where it all began, the point from which expansion of the universe started, and what was there before it happened. And he didn’t tell anyone.”

No one heard him, but that did not concern the man. He turned his back on the Collider and walked away.

***
The Australian Literature Review
www.auslit.net

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Truth Is, by Ross Watkins

Truth is I was on the highway when this diamond come sparkin on my windshield and then it done grew into a girl bout seventeen or so with a pack on her back and a thumb stuck out pointin down the white line. So I pulls up and she leans in and I says where you headin and she says forward ways and I says well thas where I be headin too cause there ain’t no nothin behind.
So she climbs in and I give a hand to shake and I tell her my name and she says thank you but I wasn’t askin for a name nor will I be givin one. To that I says thas fine by me but you should be knowin whose car you’re passenger to.
We get movin and it’s quiet like cept for the engine singin to the bitumen and I knowed that her eyes be scopin my baggage in the back. She says nothin and she settles in her seat like now she knows where she is she can be herself.
Mind if I smoke a cigarette, she says and I says no mind, but your lungs there might have somethin wise to say bout it. Then she pulls a carton from her backpack, one of those paper cartons and it’s half empty and she takes a packet out and I say shoo where’d you get that there giant stack from?
Store, she says.
I says well why’d you blow all your coin on a carton when you coulda bought a bus ticket to wherever you aimin at?
Priorities is all, she says and laughs and I must admit I don’t much like that kinda talk. Specially from a young woman. Reminds me of my daughter who I ain’t seen in almost seven years but I don’t tell her that I just think it.
Well it’s dangerous out here on this highway so maybe you should be considerin better options, is all, I says. But she just puts her mouth out the window and the smoke done get clean taken from her lips.
We was headin into the early sun and it was sure hot but I gave no sweat of it cause it’s the kinda hot that makes your skin dry as a tinderbox, just waitin for that spark to make you fire. And fire I could.
Before long she’s done with smokin and she takes a book from her pack and puts her pack on the floor and crosses her legs like only a girl can and she turns pages and gets to readin.
What you readin there, I says.
Stephen King.
King, huh. Which one of him?
A collection of short’uns.
She shows me the cover and I tell her how I knowed that one, that my ex-wife was big time on King and so I got to readin a whole bunch of em myself.
Whassa shortie you up to now?
The Body.
Oh yeah I read that one once. Seen the movie of it?
Stand By Me?
Yeah. Stand By Me.
Yep. I seen it once. But that dead body got right on my nerves, it did.
How so, I says.
Seems so lonely is all. A stinkin body left out there like that. Like it never had none to love it enough to come find it and take it someplace else. Someplace proper. I don’t never wanna think bout me being like that.
I nod cause I understand and then she’s quiet and she looks out the window and I can tell she’s eyein all that cotton country and thinkin bout how a body could too easy become lost in there, only to be sniffed out by some animal. A hungry animal.
The engine keeps singin and the country moves on and ventually the book means somethin to her again cause she turns back to it and starts readin it loud like, sayin, The most important things are the hardest things to say. They are the things you get ashamed of, because words diminish… then she stops to ask whas diminish and I says it means to make somethin smaller or lesser or to make lots just a little bit and she don’t look at me but she nods and then she keeps readin loud. She reads the first chunk of the story. She reads it like I never done heard it before but in actual fact I know it well. Too well. The stuff bout revelations that cost you and bout people not understandin cause the revelation comes from a place private some. About the things your heart wants to get to sayin but ain’t game enough and not cause you don’t got the words but cause you ain’t found the right listenin ear yet.
I look over at this girl’s ear and she don’t see me lookin while she’s head down readin so I gets a good look at her ear and the ring in it, a small ring like she’s had it since she was just a dribbly young thing and her ear done grew too big for it. But that ring did shine and shine it kept on doin cause when I looked back at the bitumen and lines and my knuckles on the wheel I seen that shine like a droplet in the very corner of my eye. Yes, sir. A droplet that done caught a tiny bit of the sun itself.
When she finish readin loud I says Amen to that, even though I done thinkin bout God near seven years ago. But this girl be takin my mind to Him and all things godly and ungodly.
She puts the book down at her feet, through with it I guess cause that first bit of The Body is a hard one but a good one and a right one and it has the talent for makin the head sore and the chest fill then empty itself for thinkin and feelin bout all the things kept inside. And those things be somethin like wallpaper for my heart.
She opens her packet of cigarettes and takes one and puts it in her mouth and goes to spark it but I put out my hand.
I prefer you refrain from indulgin in that there smokin.
But you gave it no mind before.
I change my thinkin, I says. I mind now. I mind a whole lot and I don’t expect you to understand that but it is what it is and I’m tellin you and you better act on that tellin.
I says these things to her and I knowed her mind don’t see the reasons why I changed my thinkin but I come down a bit hard so she don’t got to think none too much bout it, just get angry. And I could handle angry over tryin to wrap my mouth round explainin the complicated way things are.
But angry she don’t do very well cause she’s all loose lip and sharp tongue, just like my daughter. And my daughter got to knowin me in the heat.
What you runnin from anyway, she says and I don’t like her line of enquiry one bit but I don’t say nothin. Nothin at all.
Well?
She looks in the back and scopes my baggage again and she grins and chews on her own smart mouth and says thas a heavy duty bag you got lazin bout on that back seat a yours. Whassa man like you needin a big’un like that for?
Hush up now, I says.
You are runnin, ain’t ya?
Be quiet now.
I ain’t gonna tell nobody. Promise, she says. Cross my heart and hope to die.
I brake in an easy way not a violent way and I shift the car over to the roadside and bring it to a halt and I tells her that if her tongue can’t find a way to stop shapin those words a hers I got no guilt bout leavin her then and there for the snakes and the truckers and for cotton country folk.
She keeps on with that silly grin a hers and although I only just met this one I can tell she’s got the intuition.
What she do wrong anyways, she says.
And thas me done.
I’m none too keen on the way you talkin to me, I says. Is disrespectin. Now I’m countin to three and if you ain’t out of this car I’ll pull you out myself.
She kicks her feet up on the dash and stretches her legs all long like.
One.
She’s got these two barrettes in her hair, two rosebuds shaped out of phoney pink gems and she takes em and drops em on the floor then she looks at a bunch of her hair like I ain’t even there.
Two.
On that she turns and looks me direct in the eye.
Three, I says, but she wasn’t no dullard this girl cause she had a spark like I never seen before and she knew that I wasn’t game to leave her there and I can only guess she knew this cause she saw her own diamond shinin back from my eye.
She says nothin more. Not a peep. But she stares. She keeps on starin at me and the diamond in my eye and she seems a moment much older and wiser and like she done seen straight through me and beyond herself to the road we was travellin together yet only in parallel. It was like she seen her own destination.
I roll the window full down and look out cross the road at the cotton there in the dry heat and the red dirt and I get to thinkin bout me as a kid and how once I was showed what it is to pluck one a those cotton heads early in the mornin and crush it in my hand to see the fine wet dew come out from inside, like a dry old man found cryin at really nothin much at all.
Look, I says, some men need a good bottle and some a good god but alls I need is a good bag to keep my things in, so leave it where it is and what it holds won’t come to harm nobody.
She takes her feet from the dashboard and her grin eases into somethin more like sincerity.
That’s very poetic-like mister, she says, and I says that, well, if poetry be nothin but the mouth speakin what the heart can’t say then yes I guess there might be some truth in that. Cause when the heart finds somethin to hurt over most times it finds itself tethered to somethin it don’t have the capacity to fully understand. And words don’t help none either, other than providin a way for that heart to keep on windin it’s way round on that tether til ventually my heart gets stuck on the very thing that hurt it in the first place. And thas the only way it can be. Thas the way it is.

We get goin. We get goin and thas the truth of it, sir. Her and me with the windows full down now in the boil and simmer and the rare car passin in the other direction, maybe even headin to the same places we was headin from.
Daddy, she says, he always told me that every person got a story to tell, and we’s sharin a ride so I been thinkin that it’d be entertainin and all for us to share stories. And they don’t gotta be true, she says. Fiction is often times better than true.
I contemplate tellin her bout my daughter and who she was and who she came to be and all those things that can happen to a person in between. But I don’t.
I ain’t too handy at conjurin tall tales to tell the truth, I says, and I ain’t got no story of my own I’d be willin to shuck from my tongue. Unless you be keen to give me something to tell.
I done givin, she says, then she looks down at those feet a hers or maybe it was that King book but either way I could estimate she got to rememberin somethin she thought she left behind. Her crinkly eyes done gave it away. Then maybe ten clicks down the road she says she’s done with this and asks me to stop at the nearest station cause there’s a phone call she’s got to be makin and I tell her thas good with me cause I be needin to stop for fuel and a cold drink anyways.
And that be all.

There’s a roadhouse bout seventeen miles from here but I be guessin good you already been investigatin there cause thas the place I left her, standin by the phone booth out front, that pack on her back and cigarette in mouth and the rosebud barrettes back in and all up a glow round her that might be fate itself.
So truth is, sir, yes I knowed that girl lying there zactly like the thing she never wanted to be, but I also know when to let go of an idea before that idea comes to be somethin it ain’t. Cause truth is she ain’t my daughter. Nor will she ever be.

***
The Australian Literature Review
www.auslit.net

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